Production information can change over the run of the show.
The earnest visual austerity of the Rylance years at the Globe has long gone. Where the theatre's magical thatched roofed wooden 'O' and decorated columns were previously considered to be distraction enough, Christopher Luscombe's new production of The Merry Wives of Windsor offers a complete, complex set. Janet Bird's designs not only put a whole house on stage, but a separate ramp walkway, complete with two small bridges and a surprise reveal of its own, also bisects the entire yard, putting the groundlings at the front into a pen of their own...
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