Production information can change over the run of the show.
A vein of grim humour runs through Richard Jones' production of Verdi's first Shakespearean opera, here revived by Geoffrey Dolton. There's less precision, perhaps, than when the show was first seen, but it still packs a memorable punch, while Ultz's designs have their own manic authority, even though the sets have been slimmed down for touring purposes...
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