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Authors are entitled to indulge in nostalgia, and Athol Fugard's memories of knowing and once working with Andre Huguenet, one of the grand old men of the South African theatre, make for a warm if familiar tale. Inevitably inviting comparison to Ronald Harwood's The Dresser, the play has the character called only The Playwright recall working as a minor actor and dresser to the star at his peak and then visiting him a few years later as he begins to fade...
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