Protect the professionals

Published Tuesday 9 February 2010 at 11:20

It will be of little use for Tom Laughton to look to Equity to get something done about paid work being taken from professionals by amateurs, the latest example being 40 unpaid amateurs in the English National Opera’s Messiah.

Preferential Professional Performer Casting Agreements were negotiated to replace the union-only closed shop in the eighties. These still remain, it is just that Equity does not seem to attempt to enforce them. Council is still required to promote, protect and preserve the interests of its members on a strictly professional basis as laid down in the objects of the union. Despite this, nothing appears to be achieved when complaints are made by members who are pros (who also accept walk-on work) as well as my advisory committee. We have long protested to council that they should make stronger efforts to do more.

Michael Earl

Vice-chair

Equity Walk-On and Supporting Artist Committee

Email address supplied

Loading

Also in Features

Fondly remembered
I thought George Hall’s obituary for David Blewitt was absolutely spot on…
Fulsome disagreement
Forgive my tardiness in replying to Michael Walters’ strange letter (Stage…
Credit checking
It is good to see Matthew Hemley highlight the general dissatisfaction there…
Reduction of members
I am delighted that Equity is finally biting the bullet and now seriously…
Few opportunities for actors
Doremy Vernon (Stage Talk, February 2, page 8) points out that there are some…
Fair representation for all
Regional house managers are part of the Theatrical Management Association….
Lazy portrayals of magicians
The review of the musical Big Society (The Stage, January 26, page 18)…
Worthwhile use of funding?
My reaction on reading your article Back from the Brink (The Stage, January…
Support for members
It is brilliant that you’ve written such a great article about Equity’s…
Working Title’s bad deal for workers
Les Miserables - one of the most successful musicals of all time - is now…

Content is copyright © 2012 The Stage Media Company Limited unless otherwise stated.

All RSS feeds are published for personal, non-commercial use. (What’s RSS?)