Richard Jordan’s comments and observations in his column (June 29, page 11) are as astute as usual and he hits the nail on the head when he says that a sensible way for the future longevity of new writing in the West End needs to be found.
Sonia Friedman in The Play's The Thing on Channel 4 Photo: Channel 4
If Sonia Friedman had really wanted to find a new writer, why did she not speak with the new writing theatres such as the Royal Court and Hampstead or Soho who are experts in this field, rather than relying on an actor and agent, neither of whom incidentally seemed to like the play that was subsequently chosen. In any competition, such as The X Factor, it is a majority decision. I found the whole concept of playwrights and reality TV a hateful combination and the programme insulting to anyone with an ounce of integrity for the future of quality drama. I am certain it is something that would never have been allowed to happen in the USA, where I am sure the unions would have stepped in and blocked it.
I hope Ms Friedman, who professes to be a champion of new writing, is made to apologise for the damage this misguided venture may ultimately cause to the West End or to our many new and established playwrights.
Dan James
Queen Street
London
EC4R
Content is copyright © 2009 The Stage Newspaper Limited unless otherwise stated.
All RSS feeds are published for personal, non-commercial use. (What’s RSS?)