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Features

Rosie Sheehy: 'I'd love to play Romeo – I'd rather play Romeo than Juliet'

Rosie Sheehy: 'I'd love to play Romeo – I'd rather play Romeo than Juliet'

by Fergus Morgan
As she returns to the same stage and the same director that kick-started her career, Welsh actor Rosie Sheehy tells Fergus Morgan about her love for the theatre and the moments that have made up her career
David Adjmi: ‘I want to push people acting-wise, production-wise, directing-wise’

David Adjmi: ‘I want to push people acting-wise, production-wise, directing-wise’

by Howard Sherman
Inside a new era for Bulgaria’s National Theatre

Inside a new era for Bulgaria’s National Theatre

by Natasha Tripney
Anthony Welsh: ‘Theatre is exhausting, but I want to give myself 100% to whatever I do’

Anthony Welsh: ‘Theatre is exhausting, but I want to give myself 100% to whatever I do’

by Fergus Morgan
Raw Material: the producing powerhouse shaking up the Scottish theatre scene

Raw Material: the producing powerhouse shaking up the Scottish theatre scene

by Fergus Morgan
Meet cute: 36 hours in NYC with romcom musical Two Strangers (Carry a Cake Across New York)

Meet cute: 36 hours in NYC with romcom musical Two Strangers (Carry a Cake Across New York)

by Georgia Luckhurst
Luke Thompson: ‘Theatre is about being in a room, exchanging emotions – I worry social media is spoiling that’

Luke Thompson: ‘Theatre is about being in a room, exchanging emotions – I worry social media is spoiling that’

by Fergus Morgan
'Rural life is a fragile tapestry, like the arts' – curious directive on digging into farming for its latest show

'Rural life is a fragile tapestry, like the arts' – curious directive on digging into farming for its latest show

by Lyn Gardner
Chuchu Nwagu: ‘Seeing Red Pitch was the first time I’d sat in a theatre and just breathed’

Chuchu Nwagu: ‘Seeing Red Pitch was the first time I’d sat in a theatre and just breathed’

by Theo Bosanquet
Tim McInnerny: ‘I would rather get paid a little to do a great part than a lot to do a little part’

Tim McInnerny: ‘I would rather get paid a little to do a great part than a lot to do a little part’

by Fergus Morgan
Ask the audience: Has consumer confidence returned?

Ask the audience: Has consumer confidence returned?

by David Brownlee
Olivier Awards 2024: meet this year’s industry recognition award winners

Olivier Awards 2024: meet this year’s industry recognition award winners

by Georgia Snow
Changing the tune: the rural Scottish writing residency reinventing how musicals are made

Changing the tune: the rural Scottish writing residency reinventing how musicals are made

by Fergus Morgan
Greg Hicks: ‘We were attacked in the middle of a show, they threw fireworks on stage’

Greg Hicks: ‘We were attacked in the middle of a show, they threw fireworks on stage’

by Fergus Morgan
Gemma Whelan: ‘Right below my heart is a quiet place that has always burned to do this’

Gemma Whelan: ‘Right below my heart is a quiet place that has always burned to do this’

by Natasha Tripney
Angry Young Men and Women? What’s next for Gen Z theatremakers?

Angry Young Men and Women? What’s next for Gen Z theatremakers?

by Alexander Cohen

Jobs

Q&A

Interviews with established and emerging theatremakers working on stage and behind the scenes in UK theatre and beyond.
Jessica Talbot-Smith

Jessica Talbot-Smith

show director
Marie-Astrid Mence

Marie-Astrid Mence

dancer
Millie Hikasa

Millie Hikasa

actor
Adam Nichols 

Adam Nichols 

artistic director and co-founder
VIEW ALL

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